Hinduism – a brief history

The Hindus – a brief history.

Summary: This is a brief introduction to my forthcoming book, The Hindus. I have tried to summarise the history fo Hindu religion – birth and development to present day status of the faith or religion. Is it a religion or a faith? I will let the reader decide for himself or herself at the end.

The Beginning:

There are 1.2 billion people in the world today (2023) who register their religion as Hindu.  This forms about 15%of world population and the third largest religious group in the world.  An alternative term for Hinduism is “Sanatana Dharma” or “eternal religion”.  In Sanskrit it translates into “eternal way” or “eternal law”.  This would translate into something which does not have a beginning or the end.  Firm believers of Sanatana Dharma state that Hinduism does not have a beginning or an end.  So, is there any point in looking for origins of a religion which does not have a beginning?

Physicists tell me that 13.8 billion years ago there was nothing.  And when I say “nothing”, it means everything was missing.  A question of “space-time” comes into being when anyone asks what was there before the Big Bang? The theories of relativity – General and Special theories – are difficult to comprehend for mortals like me.  According to these theories, time is the fourth dimension and part of space.  Whatever we see in the universe are the gravitational effects produced by the objects.  There has always been a question as to what was there before the Big Bang.   If we understand both the theories of relativity and accept the space-time continuum, there is no “before” the Big Bang.  The time did not exist before the Big Bang.  This concept of absence of time is difficult to comprehend to simpletons like me.

It is interesting that this concept was discussed in the ancient Hindu scriptures – the Rigveda.  Nasadiya suktha or the Creation hymn in book ten of Rigveda talks about the creation and the existence of God.  The Suktha says that there was nothing before, not even God.  It goes so far to say that no one knows what was before as even God was created after the event.  So, there might be some sense in an “eternal” religion!

We need to go into the origins of human beings to consider a religion which is said to be “eternal”. Humans did not appear on the scene till about three million years ago, evolved from our nearest cousins, the monkeys.  Once the monkeys got on to two feet and started reaching out to the fruits/food on higher branches, the opposition of the fingers became a useful tool and somewhat of a necessity.  That marks the arrival of the opposing thumb and there was no one who could match the new species.  Humans have been one of the chief causes of demise of one species or another since inception and it went into another gear with the arrival of Homo Sapiens around 300 thousand years ago.  One way or the other, Homo sapiens has been the cause of extinction all his cousins – Homo Habilis, Homo Erectus, Neanderthals, Denisovans, Homo Hiedelbergensis and several yet undiscovered human species over a very short period of three hundred thousand years.

Human species originated and developed independently in almost all the continents around the same time.  However, Homo Sapiens appeared in East Africa and migrated to populate the rest of the world.  This makes me wonder why?  Is it because nature knew that we, as Homo sapiens, could cause extinction of other species more rapidly than anything else the nature could devise to keep an order in the life cycle of the planet.  Maybe it is a check in the speed of destruction we are causing.  Imagine the destruction if the Homo Sapiens had evolved in all the continents at the same time?  The life on earth as we know might have been extinct by now.

The current accepted theory is that the modern humans migrated out of Africa around 60 to 80 thousand years ago – depending on which theory you believe in.  Mostly accepted theory is that the humans crossed the Red sea at Bab-el-Mendeb from modern day Eritrea into Yemen at the southern tip of the Arabian continent during an inter-glacial period of low sea levels.   

 A group of them or a few groups of them eventually made it to the north-west of the Indian subcontinent – maybe even Indus valley.  I suspect they were not surprised to find the archaic humans – Erectus or Neanderthals or Hiedelbergensis or Denisovians or even some as yet to be identified humans well established in the sub-continent.  Particularly in the peninsular India.   Their wanderings have been identified in two routes – one a sub-Himalayan route east and down the eastern archipelago towards Australia by hopping on hundreds of islands. Yet another group took to the coastal route along the west coast of the deccan towards the tip and back up the east coast.   We did not have any direct evidence of archaic humans in India till the discovery of part of a skull in Narmada basin recently.   It is not clear to which species it belongs to – just that it was not a Sapiens.   It has been given a name of Homo Erectus Narmadensis.  We have plenty of evidence of their presence in the form of tools they left behind.   The artefacts underneath the huge deposit of ash deposited by the Toba eruption around 71 thousand years ago at Jwalapuram in Andhra Pradesh were left by the archaic humans.  It is unlikely to have belonged to the homo sapiens as they did not reach India till about 60 to 70 thousand years ago.  Unfortunately, no skeletal remains were found.

The magnificent cave paintings of Bhimbetaka in Madhya Pradesh are an ancient version of a social media trail of human beings dating back to around 35 to 40 thousand years ago.  These paintings have been grouped into various periods depending on the drawings.  We can see the first religious signs, at least in one figure of a man holding a trident – called a Nataraja or dancing Shiva.  

The Vedic Age.

Continuing the story of humans in India, there have been controversies generated by the so-called Aryan invasion and or migration.  So far, the theories and hypotheses were based on archaeological finds and linguistic philology.  Over the last few years however genetic study has been used extensively to prove one side of the argument.   The First humans came out of Africa and entered Indian subcontinent around 70 thousand years ago.  These have been termed the First Indians by scholars for one reason or the other.  We know that the female line is carried exclusively by the mtDNA (that resides in the mitochondria of everyone) and male line is carried by Y-DNA.  Using this the geneticists have worked out ancestry of populations everywhere.   Recent genetic studies based on mtDNA and Y-DNA have been used to conclude that the people who lived in Baluchistan – Mehrgarh to be exact – around 7000 BCE were immigrants from the Zagros mountains – i.e. from the Iranian background and probably migrants from the Levant.  However, if one looks closely at the work that has been quoted – and accepted by the numerous extremely eminent scientists – many questions remain unanswered.  There were only three skeletons of the thirty

or so humans found in the Zagros settlement who had any Indian genetic material (less than a third in each).  The conclusion was that they were probably immigrants from Harappan country.  For a scientist, accepting evidence for an estimated population of up to 5 million people from such a small number cannot be considered statistically significant by any stretch of imagination.  There has not been any genetic study of a true Harappan individual so far – that is, until now.  There has been genomic sequencing of a woman’s skeleton found in Rakhigarhi – which again would be considered anecdotal by many scientists.  Coming to a more practical consideration, Zagros mountains lies in the western part of Iran and there are several mountain-passes along with the desert to cross to reach Baluchistan, the western part of the Indus valley civilisation.  It is difficult to envisage the ancient pastoralists cross such formidable mountains and the great Salt Desert to reach the Bolan pass in Baluchistan.  Which by the way was one of the killers of Alexander’s army in the fourth century BCE.  Iranian plateau is not very conducive to east-west movement due to tall mountains traversing the land north to south cutting the vast desert into treacherous passes.

The current accepted theory is that the First Indians formed a DNA pool around 40,000 years ago as the Ancient Ancestral South Indians (AASI). 

The Yamnaya steppe people migrated into the Indian subcontinent during the second millennium BCE and mixed with the hunter gatherers of India to form the Ancestral North Indian (ANI) and moving further south formed the Ancestral South Indians (ASI).  The genetic evidence of pure ASI is not as prevalent in Indian mainland at present.  Prevalence of ANI is higher in the upper caste Indians (39 to 71%).  Pure ASI can be found in the Onge of Andaman group of islands which indicates that the First Indians peopled the islands long before further admixture could take place.  The admixture of the ASI and ANI must have taken place around third millennium BCE and the admixture stopped during the Gupta rule of around 4th and 7th century AD due the endogamy and enforcement of social norms and varna system.

Next comes the evidence of philology or the study of languages.  They have used philology as evidence to suggest that pastoralists (Yamnaya steppe) migrated from the Kazakh steppe down into South Asia and India – via the caucuses and the Kurgan culture of Shintasta and Yamnaya – the horse and chariot riding pastoralists.  They have also been given the dubious honour of replacing the Europeans, at least twice during antiquity (this is being challenged by the current geneticists).  They have been identified as using a Proto-Indo-European language – now extinct and considered to be the mother of all the Indo-European languages.  This would include all the Latin-based languages of Europe and Sanskrit based languages of most of the northern Indian subcontinent (Hindi, Bengali, Guajarati, Punjabi and Marathi).  Proto-Indo-European language divided into Indo-Iranian (moving south-east into Persia) and Indo-Aryan languages (moving south into the Indian sub-continent).  The Dravidian languages of the Deccan have an origin from the language isolate, Proto-Elamite – originating in the western part of Iran – Elam.  Not every one agrees with this theory at present.

 The conclusion drawn by the philologists is that that the Indo-Aryans moving in from the steppe of Kazakhstan mixed with the remnants of indigenous people of Harappan civilisation to form the population of India we see today.   This migration and admixture happened around the middle of the second to the middle of the first millennium BCE.  The “new” group calling themselves “Aryans” have been identified by many experts as the authors of the Vedic corpus.  There have been numerous objections to this hypothesis by several sections.  They find it unpalatable to accept that the Vedic culture could have come from a people coming from outside India.  Particularly as this would insinuate that the Vedic culture which is the backbone of Hinduism as we know of came from outside of the Indian subcontinent. Experts are beginning to accept that the Vedic corpus was probably composed by the aryans once they settled in the north-west of India – around Indus and Sarasvathi valleys.

The Harappan civilisation extended over 1.5 million square kilometres at its heyday and was bigger than the two contemporary civilisations – Egyptian and Sumerian – combined.  We still don’t know exactly who they were.  Many Indologists believe for one reason or the other that they were the people who composed the Vedic corpus and the progenitors of Hinduism.  However, it is difficult to see how a highly evolved urban civilisation of Harappan empire would ignore to mention cities or any of the urban lifestyle in the vedic literature. Many on the other hand consider Harappan civilisation to be pre-Vedic.  There are many features within the Harappan archaeology which can be traced to the present practices of the Hindus.  This has been used by many as proof that the Vedic people and Harappan people were one and the same.  Harappan civilisation reached its zenith during the urban phase from around 2600 BCE until its demise around 1900 BCE.  There are many reasons for the downfall and disappearance of the civilisation and none of them are due to conflict.  In fact, there are very few if any evidence of conflicts within the vast Harappan “empire” during its existence from around 7500 BCE to 1900 BCE.  There is evidence of conflagration in a couple of cities such as Amri and Balakot.  But these appear to be planned burning down of an old town to rebuild a new one.  The Harappan civilisation went into decline from around 1900 BCE to 1600 BCE while the highly developed urban cities gave way to rural and agricultural economies of smaller communities.  There is a gradual movement of population towards the Ganga-Yamuna doab and the appearance of the next urbanisation in the Gangetic plains. 

The second millennium BCE is considered by many as the Vedic period and the period of migration of Indo-Aryan people into the Punjab.  It corresponds to the period of Ochre Coloured Pottery.  There are problems with the classic theory of migration of the Indo-Aryans through the second millennium BCE due to discovery of Copper Hoard culture of early second millennium BCE well east of the Aryan influence. 

Archaeologically it belongs to the Cemetery-H culture in the region of Punjab and Haryana.  By middle of second millennium BCE the Vedic people started to move eastwards onto the Gangetic plain.  Many of the feature of Rigveda can be found in this region.  Rigvedic society was largely tribal and pastoral groups, unlike the urban Harappans.  According to Indologists the Bharata King Divodasa expanded his rule into the Punjab through Hindu Kush mountains defeating the Dasa king Shambara and destroying 99 of his fortresses.  His descendant, King Sudas is the protagonist in the Battle of ten kings.  This battle, made up of two segments, one on the banks of River Ravi and the other on the banks of River Yamuna, is considered as the third epic of India by many.  The Vedas do not comment much about the country south of the Vindhyas apart from journey of sage Agasthya.  The authors of the Rigveda considered nothing of importance lay south of the Pariyatra mountains (Vindhyas). 

The tribal groups eventually coalesced to form kingdoms, republics and realms.  Kuru kingdom is probably the first large kingdom to take shape during the Vedic period.  It has been placed from around 1200 BCE.  It corresponded with the beginning of the Iron age in India.  Meteoric iron has been found to be used during the second millennium BCE, but mined Iron much later. 

It is generally accepted that the Kurus organised the Rigveda into the ten-book format and also the developed the Srauta rituals. 

It is believed by many that the Aryans composed the four major Vedas and other scriptures as they settled down in the Punjab-Haryana region.  As the northern India started to fill, the Vedic religion developed into a composite culture mixing with the First Indians already well established in the Ganga-Yamuna doab.  The process appears to have been peaceful as there is no evidence of any major conflagration in the region so far.   It was only a matter of time before our ancestors moved down south over the Pariyatra mountains down south. Vedic religion mixed with the pre-existing shamanic religion of the South India.  While the Aryans adapted many of the tenets and icons of the south – Gods such as Rama, Krishna and Ganesha etc, the locals adapted the Vedic rituals, language and practices.  Over a period, the Vedic Gods such as Indra, Agni and Varuna were relegated from the mainstream.  The Aryan language of Sanskrit absorbed many of the language nuances from the south and the successors of Sanskrit – Prakrit, Pali etc took on many of the Dravidian language traits, words etc with eventual development of North Indian languages of Hindi, Bengali, Marathi, Guajarati etc. 

Evidence in Tamil Sangam literature gives us clue to the nature of religion in the south before the Aryans and as the Aryans moved in.  Earliest evidence within the Sangam literature is that of shamanic religion with God Shiva and Muruga as the main deities.  The religious practices were varied between the regions, but mainly centred around the God Muruga. 

Sangam literature dating back to late first millennium BCE and the beginning of Christian era, does talk a lot about the sage Agasthya as bringing knowledge of Vedic religion and God Shiva to the Kingdom of South.  The experts take this to be evidence of the Aryans moving down south and gradual aryanisation of the south. 

Next comes the period of the Puranas and the two great epics of India – Mahabharat and Ramayana.  They equate to the archaeological periods of Painted Grey Ware and Northern Polished Black Ware cultures.  The system and practices of the present-day Hinduism was probably set and finalised during this period.  This would be the period of Mahajanapadas – the great kingdoms.  The term Hinduism does not appear in either of the great epics of India or any of the Vedic texts.  The first mention of Hindu is in a Persian inscription (Behistun) by Darius in 6th Century BCE.  He was describing the people living in the region of River Sindhu – “Hindavan”.   

The Persian and Macedonian soldiers who accompanied Alexander during the conquest of India in fourth century BCE called the people living on the banks of River Sindhu as “Hindoos”.  The term Hindu doesn’t enter the literature till about eleventh century AD.

Whether the Harappans are the authors of Vedas or the immigrants from the Kazakh steppe is a question that will linger on until the Harappan script is deciphered.  Despite the best effort of the experts the script has remained obscure.  One thing that has been accepted is that the Sanskrit, an Indo-European language is the mother of most of the languages in the northern part of India whereas Dravidian languages originated from the proto-Elamite language (now extinct) of Elam (South eastern Iran).  It is possible that the Vedic culture which was widespread in the northern countries influenced the Dravidian languages of the south and vice versa.  It is also possible that the Vedic culture of the Aryans intermingled with the shamanic religion of the Deccan as we can see elements of both the ancient Vedic culture and regional practices of the Deccan in the present-day Hinduism.  The Vedic Gods – Indra, Varuna, Vayu and Agni – do not have the same importance in the present-day Hinduism.  And the present-day icons of Hinduism – Rama, Krishna and Shiva either do not get mentioned at all or only get a passing mention in the Vedas.  Several of Sanskrit words or derivatives are found in the Dravidian languages and vice versa.  This would lead us to assume that there has been a significant admixture of the classic Vedic religion and the regional religions of the south to bring us the modern Hinduism.

According to the Supreme Court of India,

“Unlike other religions in the World, the Hindu religion does not claim any one Prophet, it does not worship any one God, it does not believe in any one philosophic concept, it does not follow any one act of religious rites or performances; in fact, it does not satisfy the traditional features of a religion or creed. It is a way of life and nothing more”.

Sanskrit sources differentiated Vaidika, Vaiṣṇava, Śaiva, Śākta, Saura, Buddhist, and Jaina traditions, but they had no name that denotes the first five of these as a collective entity over and against Buddhism and Jainism.

Period of Reformation:

Reformation of Christian theology in 16th century Europe marked the end of the Middle Ages.  Classical period of reformation in Hinduism is ascribed to 19th century greats such as Raja Ram Mohan Roy (Bramho samaj) and Dayananda Saraswathi (Arya samaj).  These were linked to the colonialisation of India by the British and had as much to do with Hindu revival as reformation of Hinduism as a religion.  However just like the reformation that shook the religious hierarchy in Europe, there was a period of reformation in India starting around 8th century BCE which challenged and almost threatened the existence of the Hinduism as a religion.  The Vedic religion had become regimented, and Brahmin centred with intolerance, particularly the “lowest class”, the Shudra came to be resented by many.  The Varna system that gets mentioned in the last book of the Rigveda in Purusha sukta is turned into a class system.  Manusmriti, origins of which is not entirely certain, categorises people into four classes, based on their birth.  A Brahmin is placed at the highest level of the ladder, followed by Kshatriya (warrior class) and Vysya (traders, farmers etc) with Shudra at the bottom of the ladder.  Intermingling of classes was strictly forbidden.  The resentment this generated among the “lower classes” gathered momentum eventually resulting in protestant religious sects.  This gave rise to several protestant sects such as Jainism, Buddhism, Charvakas and Ajivikas.  The first two being theistic and the latter two atheistic.  There were several other minor sects which came and disappeared without any residue.

Jainism:  Vardhamana Mahavira (24th Jain tirthankara) propagated this sect mainly with a view of “Ahimsa” – as a protest against the widespread sacrifices that were taking place in the name of religion.  He preached nonviolence against all animals and banned killing of any for both religious purposes as well as meat eating.  

He attributed the teachings of Jainism to Parshvanatha from 9th century BCE as the 23rd Tirthankara, with the first tirthankara, Rishabadeva to several million years in the past.  Jainism took root and expanded rapidly over the 8th and 7th century BCE with several of the kings following Jainism.  The Jain kings supported and nurtured many in the fields of art, architecture, literature and music.  The period saw an explosion of universities which went on to become world centres of higher education attracting eminent students from across the globe.  Universities were established and grew under the protection of the Jain kings.  The universities of Nalanda and Taxila prospered under the royal protection with eminent teachers and scientists, not only learning but also teaching.  The subjects of medicine, astronomy, mathematics and languages were taught.  Some of the famous teachers such as Huangzen, Alberuni not only

Buddhism:  Around the same period Gautama Buddha was born as a prince who forsake all his comforts on seeing the suffering of the masses, particularly the poor and disenfranchised.  Buddhism spread rapidly within India during the 6th and 5th century BCE and soon spread abroad to China all the way up to Japan in the north and the East Indies in the south. 

It attracted foreigners with a simple message.  Several Greek kings promoted Buddhism as state religion and the Buddhist iconoclast began to appear around that time – stupas and arches.  Monasteries were built to study and propagate Buddha’s teachings as well as promote learning.  There are mainly two types of sects within Buddhism – Theravada (Hinayana) and Mahayana.  Theravada school believed in Nirvana or attainment of moksha from the struggles of life, and it spread outside India, mainly within the southern countries including Srilanka, Mayanmar, Cambodia and Thailand.  Mahayana Buddhism believed in liberating all the population and it spread outside India in northern countries such as China, Japan, Nepal, Taiwan and Korea.  Nowadays Buddhism has become the fourth largest religious sect in the world.  Several of the Indian kings became Buddhists and helped in the spread of the religion.  Emperor Ashoka was one of the earliest kings who sent emissaries across the globe to spread the teachings of Buddha.  Many Chinese monks travelled to India to study the teachings of Buddha and translated them into Chinese.  Silk road helped the spread of Buddhism to a large extent.

The rituals of Vedic religion were almost entirely centred around a fire alter – Agni the purifier and no mention of temples are made in any of the Vedas.  The Greek Buddhists introduced the stone sculptures reminiscent of the Greece they had left behind.  Introduction of Gandharan culture shows a mixture of Greek and Indian elements in their monuments and icons of Buddha.  Chandragupta, the founder of the greatest empire India has ever seen, the Mauryan empire, followed Jainism.  In fact, he gave up the comforts of the palace towards the later part of his rule and travels south to Shravana Belagola where he renounced everything, take Sallekhana and dies.  His grandson, Ashoka after seeing the senseless slaughter after the Kalinga war renounce violence and becomes a Buddhist.  His edict in stone is spread across the Indian subcontinent speak volumes of his greatness and also gives an indication of the spread of his empire.  The great Mauryan empire came to an abrupt end with the killing of Brihadratha by his general, Pushyamitra Shunga.  He started the Shunga dynasty and was a staunch Hindu.  However, he did not suppress any religion and Buddhism continued to prosper, particularly in the north of the country.  

Charvakas is one of the atheist sects born as a protestant group against Brahminism.   They rejected the authority of Brihaspati is often considered as the originator of the Vedas and Hindu rituals. Charvaka philosophy.  The original texts of teachings are lost and all the information about the sect is from secondary sources – from Jain and Buddhist writings.  They did not believe in God as such.  They did not believe in afterlife or karma. 

Eat, drink and be merry appears to have been their philosophy.  The principle of Charvakas is essentially scepticism.  Any inference that is derived by a set of observations should also include doubt and that inferred knowledge is conditional.  And could be wrong.  It is generally believed that the Charvaka philosophy gained momentum during the 7th century BCE, there are several indicators to suggest that there might have been elements of Charvaka philosophy during the Vedic period.  The system gradually disappeared around 13th century CE with revival of Hinduism.

Ajivikas was another major sect which was formed as a protest against the rigidity of Vedic religion. 

They do not believe in God and existence of afterlife or reincarnation and refused the authority of the Vedas.  They believed in fatalism.  Everything that is happening, happened and might happen in the future is predetermined.  There is no such thing as cause and effect in life.  One lives for today and not worry about one’s actions in the future.  Their theory of atoms proposes that everything is made of indivisible atoms which are preordained by cosmic principles.  Several of the ancient Hindu Kings supported this sect, including the Mauryan emperor, Chandragupta’s son, Bindusara.  They get a mention in Ashoka’s edicts.  Makkhali Gosala was a disciple of Mahavira for a while until he decided to start his own sect and teachings.  Primary sources of this sect are also lost and our knowledge of the Ajivikas is mainly from secondary sources in Buddhist writings.  Ajivikas spread quite widely in the Northern India in the 8th to 6th Century BCE and survived till about 12th century CE in the south, particularly in the Karnataka.

The Vedic religion prospered under almost all the rulers during the second half of the first millennium BCE.  Main threat to its hegemony came from the two – Jainism and Buddhism.  Jainism did not spread outside the country whereas Buddhism spread everywhere outside India by the Buddhist monks travelling abroad with their teachings and monks coming from abroad to learn Buddhism from some of the biggest universities of learning in the world – Nalanda and Taxila. 

With most of the country being under the influence of Buddhism and Jainism, Hinduism was on the vane.  Vast numbers of schools, monasteries, temples and religious centres were built by the Jain and Buddhist kings during this period.  Temple building started as rock cut edifices later to develop into stone-built temples.  In fact, some of the first temples were nothing but glorified caves with religious icons within them.  But religious tolerance was practiced by most of the kings and thus Hinduism survived despite being not a state religion in any of the major kingdoms of India during the latter half of first millennium BCE.  It was not until the period of the Guptas during the fourth century CE when Hinduism saw a resurgence.  Guptas saw a resurgence of Hindu religion, architecture and literary works starting with the great Chandragupta I and achieved a pinnacle of power under Chandragupta II (Vikramaditya).  Hinduism as a religion saw a transformation from Fire altar-based ritual to temple-based worship.  While great Yajnas such as Ashwamedha continued, the temple architecture matured from rock cut stone temples to architectural marvels.  Two main forms of architectural schools developed – Mathura and Gandhara styles.  Gandhara style inculcated many of the Greek architectural designs.  Literature saw some of the greatest stalwarts such as Kalidasa and Vatsyayana, mathematicians such as Aryabhata and Varahamihira, and medical genius in Charaka and Sushruta.  Many consider that Manusmriti saw its final version during this period and maybe paved a way to rigid classification of four varnas or castes as it came to be termed later.  The great epics of Ramayana and Mahabharat saw their final versions along with many variations.  One might say that the golden age of the Guptas saw the shaping of Hinduism of what we largely see today. Transformation of Vedic religion to Hinduism went on over a period of at least three hundred years. 

While the Guptas saw their “golden age” in the north, the Vakatakas ruled the south, except for the extreme southern counties which were ruled by the Pandyas, Cholas and Gangas.  Jainism and Buddhism took a foothold in the south as well under the protection of these rulers.  However, religious tolerance was the order of the day and other religions prospered too.

The three great teachers of Hinduism – Shankaracharya (8th century CE), Ramanuja (12th century CE) and Madhvacharya (12th century) reformed Hindusim and brought it back from virtual extinction. They are considered as the three pillars of present day Hinduism. Their philisophies rationalised the Vedic thought and gave a direction to the Hindu followers. Advaita (no-dualist) philosophy of Shankar set the tone for the future of Hindu thought and it is still being follwoed by a large number of people. Dvaita philosophy (dualist) of Madhvacharya and the Vishishtadvaita (qualified non-dualism) of Ramanuja argue towards the presence of Atman and Brahman as seperate entities.

Sikhism: 15th and 16th centuries saw the development of Sikhism which followed some of the tenets of Jainism and Buddhism and discouraged idolatry and casteism of Hinduism. It grew very rapidly during the early centuries and has spread across the globe mainly through migration.

Influence of Islam.

There have been Islamic assaults from as early as 8th century CE, particularly into areas of Afghanistan and Sindh.  But the earliest significant effect was by the numerous invasions by Mahmud of Ghazni – 17 times to be exact.  His idea was pillaging the rich Hindu Kingdoms of India and not ruling or spreading the Islamic religion.  The Delhi Sultanate was established in 13th century but did not last long.  It was not until the 16th century when Babur came to India from Samarkand and established the Mughal empire.  This saw the establishment of an empire of unequalled wealth and at one time was responsible for over a quarter of the world’s GDP.  The decline of the Mughal empire started with Aurangzeb and disappeared into ignominy.  Aurangzeb was a religious fanatic who tried to suppress all religions other than Islam and almost succeeded. 

Hinduism has been evolving since then and has survived despite coming under severe strain under the assault of foreigners – the Huns, Scythians, Turkics, Persians and the Arabs.  Of these, Mughals were the most successful, ruling the country under a vast empire for over two hundred years.  They succeeded in unifying a country divided by numerous petty kingdoms fighting among themselves.  This happened at the cost of suppressing Hindus and spreading Islam across the country. 

They succeeded in controlling the country north of the Vindhyas up to Afghanistan with southern spread resisted by powerful southern Kingdoms such as the Vijayanagar empire.  Islam did make some inroads into the south though the Bahamani Sultanates which were resisted by the Vijayanagar Empire, Cholas and the Pandyas.  Hindus and Hinduism survived despite such onslaughts from enemies within and without, over the millennia.  During the process Hinduism, as we know of it today, evolved from a three and a half thousand-year-old (at least) Vedic religion.  While some Sanatanis might want to consider it to be a “Sanatana Dharma” or religion with no beginning or end, it is fair to say that the Vedic religion developed and matured into the Hindu religion as we know of today over the last three thousand years.

Coming back to the question – where did the Hindus come from? – the answer is not simple.  My conclusion would be that the Vedic religion of the Aryans amalgamated with the regional culture of the First Indians which pre-existed in the Indian subcontinent to produce the modern Hindus.  As to who these Aryans were, is still controversial especially with the upsurge of hindutva followers and it is for a different article. 

This is a very brief attempt at a vast subject of Hinduism. If this has sparked an interest in the reader there is an awful lot of nooks out there to do research. My own book, “The Hindus: A brief history” is due for release in 2025.

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Limerick

Limerick

Limerick is a five-line witty poem with a distinctive rhythm, funny and often rude.  Named after the Irish town of Limerick, the poem allegedly got its name from the town custom of shouting “Will you come up to Limerick?” after a performance of nonsense poetry at social gatherings.   However the actual origin of the name is not certain. 

It was introduced in 1791 in Ireland.  The noble and often a staid stature of an epic or ballad could not be more at odds with the ‘nonsense verse’ of the Limerick.  The limerick is a brief and bouncy poem ideal for Mother Goose-style nursery rhymes.  Most of the limerick’s were simple and filled with fun.  Not many were constructed with any serious message of note.  The speech stress is often distorted in the first line as a feature.

The first, second and fifth lines (the longer lines) rhyme and the third and fourth shorter lines rhyme. (A-A-B-B-A).   First line is often repeated as the fifth line.   Verses of Limericks were constructed using the last line as a refrain and made them interesting to listen to.  Several variations have emerged over the years.  One variation removed the rhyming structure completely!

Limericks was popularised in 19th century by Edward Lear.  It went through a period where they were considered obscene and looked down by the literati as folklore and not literature. Edward Lear published a series of ‘Nonsense’ limerick compositions during the middle of 19th century. 

This is one of the few, often quoted from his “Book of Nonsense.”  Here the first line clearly shows the distorted feature of the speech stress.

There was a Young Person of Smyrna
Whose grandmother threatened to burn her.
But she seized on the cat,
and said ‘Granny, burn that!
You incongruous old woman of Smyrna!

As you can see, this does not offer any message or wit.  In fact, apart from the rhyming structure which makes it more than adequate for singing it doesn’t really mean anything.  Here is my take on a Limerick on a glass of wine;

Glass of wine

The red nectar that flows out of a carafe

That which imbues the flavour of life

I long for a glass of wine

I thirst for a glass of wine

It is the one that makes my eyes shine!

Shankar Kashyap

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Sonnet

The original sonnet form was invented in the 13th century by a 13th century poet by the name of Giacomo da Lentini and took the name of an Italian philosopher named Francisco Petrarch.  The sonnet, from the Italian sonetto meaning “little song,” is one of the better-known forms of poetry.  Made famous by Italian poets, the traditional sonnet contains fourteen lines divided into two stanzas of eight and six lines.  The original Petrarchan sonnet did not have a definitive structure or rhyme scheme and different poets have given their own poetic spin over the centuries.  One thing that stayed true is the theme of a proposition and resolution. 

The first octave gave out a proposition and next sestet offered a resolution.   Petrarchan sonnets lent themselves very well for rhyming Italian language and probably explains why it did not appear in the ‘rhyme poor’ English for the first couple of centuries.   The form remained largely unknown until late 16th century it was rediscovered by Thomas Wyatt and further developed and popularised by writers such as Shakespeare.  Sonnets now generally use iambic meter in each line and use line-ending rhymes.  Although Shakespeare is famous for his plays, he also wrote 154 sonnets (not including the numerous couplets and short verses that appear within his plays).

Shakespearean sonnets are lyrical poems featuring two contrasting characters, events, beliefs or emotions.  This made a sonnet very useful tool in his plays.  He used the sonnet form to examine the tension that exists between the two elements – could be two different individuals or two different emotions or situations.  Several variations of sonnet structure have evolved over the years. The most common type — and probably the simplest — is known as the English or Shakespearean sonnet.  In his sonnets each line has 10 syllables and are written in iambic pentameter.  Iambic pentameter is a pattern in which an unstressed syllable is followed by a stressed syllable repeated five times.  The da-DUM sound of the human heartbeat is sometimes used as an example of iambic pentameter (literally “five feet”): da-DUM, da-DUM, da-DUM, da-DUM, da-DUM. The opening line of Shakespeare’s “sonnet 12” provides a good example of the da-DUM rhythm of iambic pentameter: ‘When I do count the clock that tells the time…’.

Some of Shakespearean sonnets are made up of three quatrains and a closing couplet. These sonnets follow a specific set rhyme pattern — a-b-a-b / c-d-c-d / e-f-e-f / g-g — and the last two lines form a rhyming couplet. Shakespeare’s “sonnet 18” — sometimes called “Shall I compare thee to a summer’s day?” — is one of his most famous sonnets:

Shall I compare thee to a summer’s day?

Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,

And summer’s lease hath all too short a date.

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature’s changing course, untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou owest,

Nor shall death brag thou wanderest in his shade,

 When in eternal lines to time thou growest.

So long as men can breathe or eyes can see,

So long lives this, and this gives life to thee.

The Shakespearean sonnet followed the standard volta of Petrarchan sonnet— or the “turn” — which is the point in the sonnet where there’s a change from one rhyme pattern to another that also signals a change in subject matter from proposition to resolution. In the example above, the volta occurs in the ninth line when the word “But” signals a subject change and the rhyme pattern changes to e-f-e-f.

In addition to the English or Shakespearean sonnet, the Spenserian sonnet (named after poet Edmund Spenser) gained popularity during the 16th century. The Spenserian sonnets had a different rhyming pattern – ABAB BCBC CDCD followed by a refrain of EE.  He introduced linking of several couplets (instead of quatrains) as can be seen in the rhyming structure.   Amoretti is probably the best recognised of his works.  There are also more obscure types of sonnets, some of which have no recognizable rhyming pattern.  17th century also saw the introduction of ‘Sonnet sequences’ – a sort of an epic dealing with the same or linked subject through several sonnets. ‘La Corona’ by John Donne has seven sonnets and Sonnet redouble has fifteen sonnets!  The linking was done by using the last line of the first sonnet in the first line of the second and so on.

Over the years, many poets and writers have written sonnets. Some of the more famous sonnet authors include John Donne, John Milton, Ezra Pound, Elizabeth Barrett Browning and Edna St. Vincent Millay.  17th century saw a profusion of sonnets from famous poets such as Wordsworth, Keats and Shelley.  Modern poets have moved away from strict rhyming structure and often recognised only by fourteen lines or by the name.

John Milton

Over the years several variations of the sonnet have emerged –

Caudate sonnet; Adds codas or tails to the poem.

Curtal sonnet; Designed by Gerard Hopkins.  Substitutes two tercets for two quatrains in the octave and four and a half lines for the sestet (DEBDE)

Sonnet redouble; Also known as the crown of sonnets, is composed of 15 sonnets linked together by final line of first sonnet as the first line of the subsequent sonnet, final line of that sonnet is the same as the first line of the previous one.  The final sonnet has all the repeated lines of the previous 14 sonnets in order.

Sonnet sequence; A group of sonnets dealing with the same subject.

Stretched sonnet; One where the sonnet is literally stretched 16 lines or more.

Submerged sonnet; A sonnet literally submerged with another longer poetry format.

Most of the sonnets are written on Love.  Love is a four letter word which has produced every emotion known to man.  It has been the cause of heartaches, wars, bitter battles, fights and any shenanigan you can think of.  Countries have gone to war to fight over loved ones.  The story of Helen of Troy is a prime example.  Agamemnon takes the massive Greek army and lays siege on the city of Troy to win back the princess to his brother from the Troy prince, Paris.  Who has not of heard of the eternal lovers – Romeo and Juliet – so well immortalised by William Shakespeare.  As are the other lovers in history – Mark Antony – Cleopatra, Tristan – Isolde, Orpheus – Eurydice, Napoleon – Josephine, Laila – Majnu, Salim – Anarkali, Shah Jehan – Mumtaz – the list is endless. 

Love is an emotion that is different to different people.  To a child the love of mother, to a mother to her child, brother to sister, father to son and finally the love of passion.  It is the first major hurdle to a boy or a girl as he or she passes the step of adulthood. 

The poems in this section, deals with ups and downs of lovers the world over.  Here is one of my earliest efforts at a sonnet.  I have tried to use simple English and used the Shakespearean rhyming pattern, as much as possible with some poetic justice.  ‘A Love lost and found’ was one of my first attempts at writing poetry in sonnet form.

A Love lost and found

You came into my life like a breath of fresh air

Your laughter and a smile of thine was my tonic

I loved you from the day I saw you first there

In my blood, my heart and in my ear like a fillip

You did not know me, nor did you see me

You were laughing at the way I spoke, I walked

It was hurting that I did not exist, woe is me

Many a day I wandered in and out and I stalked

You saw me but as one would furniture, I dread

I was always there in your heart, thou did not know it

It was painful to watch, my life hanging by a thread

Jasmine, Roses and Jacaranda in bloom, many willing it

That’s when you saw me first, floundering in a sea

Lifted me up and kissed me on my lips for all to see.

Shankar Kashyap

Musings of a Romantic is a mini compendium of poetry for all those keen poets who want to compose their own poetry. This book gives you clear and concise details of over hundred different types of poetry including how to write your own. Now available worldwide on Amzon and also in some book stores near you.

Book of Love

The story is finished but the book has no ending

The poet wrote the end to my story, but not the book

And he blessed me with pain unending

So much between the first and last pages of the book

My wish is to bless my love with my last breath

Many friendships come and go, but our love is constant

Many ships pass in the night, but ours pass into sunset

Many moons shine and wane, but my love grows every instant

The pages of the book is full but the story is not complete

The words of my story flow but the story does not move

The words in my book can’t see the beauty to my eyes a treat

A treat of you my love, my life and my being

Is this now the time to call the last curtain my love?

You tell me that I am no longer in my own book.

Shankar Kashyap

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Ballad

Ballad has been there for several centuries (around 13th century) and started off as folk songs, accompanied by musical instruments.  Earliest ballads were transmitted orally in song form and mainly dealt with religious and folk lyrics. The ballad’s lyrical rhythm and rhyme owe to the fact that this poetic form is rooted in song telling a love story.  It was popularised as a singer’s choice due to the rhyming tone.  It was used mostly as dance music with traditional folk songs during the fifteenth and sixteenth century.  It fell into disrepute during the late 17th century with street sale of broad sheets with romantic ballads and was considered ‘street music’ written by ‘down and outs’ living in the unsavoury part of the towns.  The poets were often titled “pot poets” – a derogatory term for the ballad poets of 19th century.  The theme could be anything from love to hate and often used to tell stories and even history.  The ballad often did not tell the story but showed the story in words.  It was mostly a plot driven poem, running at a canter to end in a dramatic conclusion in the last two lines.

The traditional ballad was performed in dance halls in time with the music, and the term ultimately derives from the Latin word ballāre meaning “to dance.”  It is also the origin of the word Ballet.  French popularised it in 13th century as Balladee.   French also introduced Ballade – as a form of dance music during 13th century.  This form of narrative poem is structured with an unspecified number of rhymed quatrains (four-line stanzas).  The lines were often quite simple with three or four stresses.  Usually the second and fourth lines rhymed, but there were many variations of the ballad making it difficult to define.  During the medieval period, the wandering minstrels used the ballad structure for their songs.  Ballads about Robin Hood were sung during the 14th century medieval England.

Samuel Taylor Coleridge and William Wordsworth wrote numerous ballads.  “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge and “Annabel Lee” by Edgar Allan Poe are particularly famous examples of ballads. The “Rime of the ancient Mariner” is still considered as the best classic of genre;

It is an ancient mariner

And he stoppeth one of three

By the long grey beard and glittering eye

Now wherefore stoppest thou me?

The bridegroom’s doors are opened wide,

And I am next of kin;

The guests are met, the feast is set;

Mayst hear the merry din.”

He holds him with his skinny hand,

“There was a ship,’ quoth he.

“Hold off! Unhand me, grey-beard loon!”

Eftsoons his hand dropped he.

He holds him with his glittering eye –

The wedding guest stood still,

And listens like a three-years’ child

The mariner has his will

Samuel Taylor Coleridge

The ballad made its way onto British poetry in a big way during the 19th century with the likes of Samuel Coleridge, only to peter out in time.  There were many types of ballads over the centuries. Traditional Ballads were sung by minstrels during the medieval period.   Some of the biggest names in poetry – Samuel Pepys, Robert Burns, Walter Scott and Robert Harley to name a few, wrote many Traditional Ballads.  I have already alluded to the “cheap ballads” – Broadsides – with the onset of cheap printing during 16th century.  To counter this movement as it were, Literary Ballads appeared with many well-known works from Samuel Taylor Coleridge, Robert Burns, William Wordsworth and Oscar Wilde.  Operatic Ballads made their appearance during the 18th century to counter the invasion of Italian stage operas into London.  Sentimental Ballads made their appearance as a development of “Broadsides” – they are slow soulful songs appealing to the young lovers everywhere.

Heart of Stone

A broken heart imbues melancholy into a lover and brings out the intense passion and a sense of despair in his or her heart;

Oh, my dearest love, a proud one not be proud.

What you have in your heart is utterly false precious

Don’t be angry with your lover, no you should

Chain me in your arms, shelter me with kisses yours.

And still if you think the fault is mine

Pierce me with arrows of your side glances

The magical and bewitching smile of thine

Gifted woman, perfect skill in archery you possess.

You pierce men’s hearts with only a bowstring, no arrows

Your eyes are of blue lily, your mouth a heavenly gem

Teeth from jasmine buds, lips from the vernal flowers

And He made your limbs from daintiest stem.

Why is it the Creator made your heart out of stone?

How is it that He did not give me a heart of stone?

My Love, my strength

The emotions that are stimulated at the start of a relationship, matures as it develops, and the subtle changes are often difficult to explain in prose.  Both men and women find strength as well as weaknesses in their relationships as it blossoms in time.  One man’s strength is often seen as another man’s weakness in similar situation in a relationship.

My mind veers from work, my dearest

I would find a way, which is nearest,

I am utterly weary of my home,

To my heart, that is my dearest.

My life was wet and was drowning

I never thought I would fall in love

My heart was dry, constantly draining

My life was dreary and dry without love.

For without you, my life was drab

Bright is the day I know not, with sunbeams

Slow heart and painful, as an injured crab

And the night with delicate moonbeams.

The willow is shining with golden bees

And the flowers ablaze with beautiful colours

But my heart would not see these

And my mind would be full of naiads.

It was like climbing hills and mountains

How hard was it to climb even a step?

My life was damp like a limp fountain

Water from the spout, drip, drip and drop.

But you found me sweetheart, in time

I will take wings and fly into the pond you fish.

My crab of a heart flew into overtime

You saved me and my heart in a flash.

Now, the dry sunken jar is full of wine

My heart is revived by passionate love

The most cherished and luscious wine

Is strengthening me with your powerful love.

I thank you my darling, with all my heart

My love, you are my redeemer, you don’t know

I owe you one and you are in my heart

I am singing aloud with my face aglow.

Shankar Kashyap

Still Life series – Oil painting on Canvas

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Villanelle

The Villanelle

 

The villanelle has humble origins as a rustic Italian song, but over the past few centuries it has developed into a highly structured form of poetry. Villanelle is derived from the Italian word villano, meaning a peasant.  Originated as a dance song with pastoral themes. How to Write a Villanelle (with Examples) | Society of Classical Poets

A nineteen-line poem divided into five tercets (three-line stanzas) and a closing quatrain (four-line stanza), the villanelle is further constrained by a regular rhyming scheme and two refrains that are echoed in each stanza.  For those of us who are familiar with Ghazals, one can see some similarities in the structure of the two.  A classic example of a strict villanelle is Dylan Thomas’s “Do not go gentle into that good night,” though the poem’s structure is so particular many poets choose to break its tight confines and compose near-villanelles, such as Elizabeth Bishop’s “One Art.”

The Story Behind Dylan Thomas's “Do Not Go Gentle Into That Good ...

Dylan Thomas

A highly structured villanelle is a nineteen-line poem with two repeating rhymes and two refrains. The first and third lines of the opening tercet are repeated alternately in the last lines of the succeeding stanzas; then in the final stanza, the refrain serves as the poem’s two concluding lines. Using capitals for the refrains and lowercase letters for the rhymes, the form could be expressed as: A1 b A2 / a b A1 / a b A2 / a b A1 / a b A2 / a b A1 A2.

Strange as it may seem for a poem with such a rigid rhyme scheme, the villanelle did not start off as a fixed form. During the Renaissance, the villanella and villancico (from the Italian villano, or peasant) were Italian and Spanish dance-songs. French poets who called their poems “villanelle” did not follow any specific schemes, rhymes, or refrains. Rather, the title implied that, like the Italian and Spanish dance-songs, their poems spoke of simple, often pastoral or rustic themes.

While some scholars believe that the form as we know it today has been in existence since the sixteenth century, others argue that only one Renaissance poem was ever written in that manner—Jean Passerat’s “Villanelle,” or “J’ay perdu ma tourterelle”—and Jean Passerat - Jean Passerat Poems - Poem Hunterthat it wasn’t until the late nineteenth century that the villanelle was defined as a fixed form by French poet Théodore de Banville.

Regardless of its provenance, the form did not catch on in France, but it has become increasingly popular among poets writing in English. An excellent example of the form is Dylan Thomas’s –

 

Do not go gentle into that good night.

‘Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.’

Contemporary poets have not limited themselves to the pastoral themes originally expressed by the free-form villanelles of the Renaissance, and have loosened the fixed form to allow variations on the refrains. Elizabeth Bishop’s “One Art.” is another well-known example; other poets who have penned villanelles include W H Auden, Oscar Wilde, Seamus Heaney,  David Shapiro, and Sylvia Plath. Oscar Wilde - Wikipedia

The strict structure of the original Villanelle put many of the artists off from venturing into this, many have taken liberties with the structure and been extremely successful.  Nowadays many of the song writers have taken elements of the Villanelle into their Ballads.

I too have taken some liberties in constructing what I understand to be a “free Villanelle”; Men have sacrificed more than their life and limb for a pretty maiden in history and still continue to do so.  An analogy of a bee to a flame springs to mind.

Bee to a flame

Strange indeed you have the art of stealing

O nimble eyed maiden, in bright daylight

When people are wide awake, listening

 

You steal men’s hearts and that from a distance

Look at me once more girl in light

With eyes tapering and long like a lance

 

We have heard it said that in this world

Light is an antidote to light

To brighten ones own world

 

Lily eyed one listen to the world

To the slander and slight

Of my wanderings throughout the world

 

Your face sweetheart, is a flower

A lotus flower in the depth of night

You hide in a drift of flowers

 

How on earth shall I find you, my love

Like a roving black bee at night

Looking for my flower of love

Wandering, still searching for my love.

Shankar Kashyap

 

Valentine days bring mixed emotions in lover’s minds.  Anxious, excited and full of expectation, lover’s mind wanders towards poetry.  Not surprising that it is full of passion mixed with anxiety and tenderness.

Be gentle with me

 

Be gentle with me sweet darling of mine

I am but a wounded deer in the dale

You are and you will be that gorgeous girl of mine

 

My heart beats for you just fine

When you lift up my heart so stale

You do be gentle sweet darling of mine

 

The stars above in the dark sky shine

The blooms and buds down in the vale

Wait in patience for gorgeous girl of mine

 

The innocent peacock’s light up fine

Dancing away their blues down in the dale

As the see the sweet darling of mine

 

The stars above in the dark sky shine

Down at the deep darkness of the vale

You are and you will be that gorgeous girl of mine

 

My sweetheart, my darling, all of mine

Don’t make me wait and let my heart go stale

I see in my being that sweet darling of mine

You are and you will be that gorgeous girl of mine

Shankar Kashyap

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Shankar Kashyap

Shankar Studios at Etsy for downloadable paintings

 

 

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An Ode

 

 

Grecian urn

 

 

An ode is a lyric poem that is written to praise a person, event, or object. It is an elaborately structured form of poetry and was popular during the 19th century.  Because of the complex structure of the poem, it is not as common among the modern poets.  Many of the classic Odes have been put to music by such greats as Purcell, Boyce and Handel.handel

You may have heard or read the famous “Ode on a Grecian Urn” by John Keats. (Some students mistakenly believe that this poem was written on the physical urn, when in fact the poem is written about an urn — it is an ode to the urn.)  John Keats was a House Surgeon at Guy’s Hospital in London when the poetic bug caught him and he left the job to concentrate on writing poems.  He wrote many Odes and the famous Ode on a Grecian Urn was published in 1819.  I must admit that this was the poem that caught my interest in poetry.  It is complex at the same time sweet and soothing.

Ode on a Grecian Urn

‘Thou still unravish’d bride of quietness!
Thou foster-child of silence and slow time

Sylvan historian, who canst thus express
A flow’ry tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:

Bold Lover, never, never canst thou kiss,
Though winning near the goal – yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

For ever panting, and for ever young;
All breathing human passion far above,

That leaves a heart high-sorrowful and cloyed,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore

Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!

When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
“Beauty is truth, truth beauty,” – that is all
Ye know on earth, and all ye need to know.’

KeatsJohn Keats

The ode is a classical style of poetry, once used by the ancient Greeks and Romans, who sang their odes rather than writing them on paper. Today’s odes are usually rhyming poems with irregular meter. They are broken into stanzas (the “paragraphs” of poetry) with ten lines each, sometimes following a rhyming pattern, although rhyme is not required for a poem to be classified as an ode. Usually, odes have three to five stanzas. 

There are three types of odes:  pindaric odepindaric, horatian, and irregular. ​Pindaric odes have three stanzas, two of which have the same structure. An example is ​”The progress of poesy” by Thomas Gray.  

Horatian odes have more than one stanza, all of which follow the same rhyme structure and meter. An example is @Ode to the Confederate dead” by Allen Tate.​horatianode-tl

Irregular odes follow no set pattern or rhyme. An example is “Ode to an Earthquake” by Ram Mehta. Read a few examples of odes to get a feeling for what they are like before you write your own.

Horatian odes use rhyming structure which can be best explained by examining John Keats’ Ode to a Nightingale where the rhyming structure is quite simple and easy to use – ABABCDECDE.  It is a ten-line stanza and usually has five or six stanzas.  But Shelley on the other hand used only five lines in his stanzas with an ABABB rhyming structure – Ode to a Skylark.  Pindaric Odes are more complex using a rotating structure of strophe-antistrophe-epode.

Here are my examples.  I have used the simple Horatian structure with ten-line stanzas, but  with irregular rhyming pattern inline with most modern poets.

Everyone cherishes memories if they are sweet and happy.  Memories of some events, the first glimpse of the lover, first time hands are held or the first kiss carry such a powerful imprint that it is almost impossible to erase.

Ode to Memories

memoies

This heart filled with hundred memories

Fond memories of first sight and first touch

The electric feeling at the first smile

Holding hands for the first time

The first kiss, tender and hesitant

Are they just memories of a dream?

Dream eons ago in a different life maybe

But they seem like only yesterday

Yet they feel so fresh, so real

It is so distant it could be a mirage.

 

Hundred memories of days gone by

Not real, not in essence and not of this world

My heart skips a beat even now

At the memory of our first embrace, heavenly

I can hear the sounds of the waves

The birds chirping as we sat on the shore

As the sun set on the horizon

With crimson blood and bright orange glow

As the water lapped on our feet

I am transposed a thousand miles from the shore.

 

A thousand memories of the day by gone

Walked through the glade with blue bells

And poppies, bright red dotted around

A little stream gurgling past us

A Deer and its calf drinking at the stream

Gentle breeze waving the green branches

Laden low with weight of the bounty

Of flowers, fruits and birds galore

Two love birds watching us, jealous

As we cuddled and kissed under the oak tree.

 

A million memories of the day

We sat under the oak tree

Whispering sweet nothings to each other

The day we swore our love for each other

I still remember your cheeks blush

When I said I love you

With a passion so gentle and soft

 You squeezed my hands and hugged me close

I didn’t want the moment to pass

As I cherished the feeling of belonging.

 

The day of memories flushed with love

A feeling of fulfilment and immeasurable joy

A day of immense happiness no one can deny

I was on top of this world

Not willing to come down for anyone

Heady with a feeling of accomplishment, of love

The tint in my eye was not a blemish

It made the world look rosy all the time

My head was swollen, not with pride

But with an overflowing sensation of love.

 

I remember the day we sat on top of the mountain

Savouring the vista of rolling hills in the distance

A river meandering through the lush forest floor

The cloudless sky watched us, blue with envy

It did miss its love, the curvy clouds

Even the birds seem to know

That we are a pair deep in love

They swooped in to take a closer look

Only to fly away with a heaving chest

And a flurry of wings at their best.

 

The days and years have passed my love

But my love hasn’t diminished

My heart still skips a beat when I see you

The mind is raging with hope

A hope to stay together, till the end of days

It is still like the first day, as fresh as

The daisies in the garden at the first sign of spring

Or those yellow Daffodils heralding the spring

Till death do us part is only for this world

Our love will live forever in every world.

Shankar Kashyap

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A Free Verse

Introduction to Poetry Lyrical vs Free Verse with Narration - YouTube

A Free Verse Poem as a rule, does not follow any rules of standard poetry forms.  It owes its origins to the French  Verse libre.   A French weekly magazine called La Vogue started a trend during the late 19th century with a group of poets who were termed to create a £”counter romanticism”.  Their creation is completely in the hands of the author. Rhyming, syllable count, punctuation, number of lines, number of stanzas, and line formation can be done anyway the author wants in order to convey the idea.
However, there are some who feel that it is only free form the strict metric structure. It has also been compared to playing tennis without the net. There is a requirement to keep the poetic lines true to form or even write a “beautiful prose”. There is no right or wrong way to create a Free Verse poem. Even though there are no requirements to use rhyming or metric structure for writing a Free Verse, a poet can use some to create a beautiful verse.  It was described as creating a beautiful poem using the syllabic structure and rhyme without the encumbrances of verses.   It was said, at least in French, that the free verse would speak to the ear and not the eye – meaning the cadence of the syllables would roll off the tongue from one sentence to the next with such a smooth step that it is invisible.

A famous example is Walt Whitman who used repetitive phrases and commas to give his verses a structure. Many were short pieces, such as Walter Whitman’s, A Glimpse;

‘A GLIMPSE, through an interstice caught,
Of a crowd of workmen and drivers in a bar-room, around the stove,
late of a winter night–And I unremark’d seated in a corner;
Of a youth who loves me, and whom I love, silently approaching, and
seating himself near, that he may hold me by the hand;
A long while, amid the noises of coming and going–of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.’

Walt Whitman

My daughter, a veterinary surgeon, wrote a free verse after a day at work during this Covid19 pandemic and stress at working on the front line with scarce resources.

A Plea From the Cleaning Fairies*

 

‘Twas the dawn of the weekend shift, and the new team arrives,

Waving cheerfully in the car park, blinking sleepy eyes.

Keys jangling the locks, the shutters are opened,

Phones are off night mode, biochem machine unfrozen.

 

Moving through to hospital and the horrors are seen:

The bedding shelves are empty, the kennels unclean.

The laundry room overflowing, the dryer on the blink,

Few bins are lined, the dirty dental tray in the sink.

Mop heads lie grimy, there’s blood on the bin,

The Cleaning Fairies’ patience starts wearing slightly thin.

 

In these times of Covid, all our shifts are dreary,

But to leave disasters like that is getting a little weary.

Running about cleaning is never any fun,

But come on, Team Curiosity – it must be done!

 

Shamanthi Shankar

Here is one of my examples;

Homo sapiens

homo sapines


Someone once asked me to write a poem on ‘lesson on humanity.’ It got me thinking and realised that we are here only for a very short period and very few, if anyone remembers us after we are gone. Experts tell me that one is remembered at best for six months after death before memory starts to fade. But good deeds tend to live on much longer.

Do a good deed on this earth today, my man
You are on this earth but for a few moments
You are only a tenant in this world, my man
Make the best use of your precious moments.

You are remembered but only for a short period
But your good deeds will live on forever
Stay always happy with what you need
Don’t hanker after things you don’t need.

You are but only a passenger in this world
It’s not yours ever to rule or dictate
Treat it with a kind heart if you are bold
And love it with compassion so great.

You treat your fellow man always as your own
It’s with love and passion you make friends
Chase after money and power to drown
All the hard earned and coveted friends.

Money and power in plenty any one can earn
Empathy and compassion are not easy earned
Hate and jealousy is there for you to burn
Smile and laughter are the best earned.

Be strong for others always, my man
In your love for your fellow human being
Be strong for others always my man
In your efforts for your fellow human being.

Shankar Kashyap

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Couplet

the-iliad---homer-171583557-592eeeda5f9b5859508ba554The name “couplet” originates from the French word meaning riveting or joining two pieces of iron together.   It originated in late 16th century with Sir P Sydney’s Arcadia.  A couplet is a two line verse, which rhymes and forms a unit alone or as part of a poem.   However, not all couplets do rhyme.  Chaucer’s Canterbury tales is almost entirely written using rhyming couplets.  chaucer

 

They often form parts of a longer poem such as a ballad. Many of the poems built on quatrain structure contained paired couplets. During 18th and 19th century, couplets often formed part of plays and often livened up a drawn out play. Here’s a famous couplet I am sure one would easily recognise.

“Good night! Good night! Parting is such sweet sorrow
That I shall say good night till it be morrow.”

romeo and julietThis couplet comes from Shakespeare’s play Romeo and Juliet. Shakespeare often used rhyming couplets at the end of scenes to signal the ending. Shakespeare also used a couplet to end each stanza in his sonnets. Often whole poems are written in couplet form — two lines of rhyming poetry, followed by two more lines with a different rhyme, and so on. Robert Frost, one of America’s greatest poets, wrote many poems using couplets. Rhyming iambic pentameter was introduced to English by Chaucer in “The Prologue to the legend of good women” in fourteenth century and became popular as a “heroic couplet.” John Milton popularised the octasyllabic form in 17th century in L’allegro and Il’ Penseroso.

Il penseroso

There are two forms of couplets recognised – open and closed couplets.  In an “open” couplet the first line “runs into” the next line whereas in a “closed” couplet, the sentence the line tends to end with the last phrase or word.
One can often see couplets written on doorways in China during Chinese New Year. ChunlianThese couplets, called “chunlian,” are bought a few days before their new year and stuck on the doorway to hope for prosperity for the coming year. Most of the ancient Tamil scriptures were written in couplet form. Thirukkural, dating back to 300 BCE thirukkuralaccording to some people, is a moral code of conduct, somewhat in the lines of Manu smriti in Sanskrit and the Hammurabi’s code from Mesopotamia. Thirukkural is made up of 1330 couplets in ancient Tamil and is considered one of the greatest works of ethics and morality.

Alexander Pope’s ‘Essay on Criticism’ –
‘In Poets as true Genius is but rare,
True Taste as seldom is the Critick’s Share;
Both must alike from Heav’n derive their Light,
These born to Judge, as well as those to Write.’

Alexander Pope

 
Here is my example of a short couplet. Story of unremitting love is as old as poetry itself. Poets have used each and every form of poetry to eulogise love. Couplets do give a freedom to express one’s feelings a lot quicker and with emotive aspect coming out in every verse.

 

The Love of my dreams

love of my dreams

It’s with love I cherish
My girl without a blemish.

It’s with love I long for
The girl I’d live for.

It’s with passion I care
Neither pain nor loss I care.

It’s with pleasure I endure
My girl who is so pure.

It’s my love, my dream
She’s there in my every dream.

Shankar Kashyap

musings     lady in red

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Lays (Lyric)

The Lays or its proper form – Lyric – is derived from the ancient musical instrument Lyre, which was probably one of the most often used instrument in any ensemble in ancient Greece. The term probably owes its origins to Aristotle, who classified three types of poetry – lyric, dramatic and epic. It was used to describe the emotions of a lover or a hero and is most often written in the first person. The lyric dates to the ancient Greece and was later taken up by the Roman poets as well as ancient Persian poets.
The now extremely popular Ghazal took origin from the Lyric during 10th century AD. The famous Hafiz and Amir Khusroo as well as Omar Khayyam Omar khayyamare some of the well know Persian poets who made Ghazals popular and still considered some of the best ever written. Rhyming lyrics filtered down from the Persian poets to the western poets during the middle ages and the Persian poets are considered masters in the art of lyrical poetry.

Lays of Ancient Rome was compiled by Thomas Macaualay and published in 1881.  It is a collection of four ancient heroic episodes from Greek history along with a couple of more recent ones.  Lays_of_Ancient_Rome

 

The other well known collection is Lays of Ancient India which is a collection for English translation of ancient Indian narrative poetry.Lays of ancient India
Lays was spelled Lai in medieval French literature and was used for romantic interludes in Octasyllabic forms. Many poems were composed based on Celtic legends in 12th century and was popularised by several French poets.
Lais of Marie de FranceThe Lyrical poetry was constructed in strict metric structure using one of meters – Iambic, Trochaic, Pyrrhic, Anapestic, Dactylic and Spondaic, depending on the number of syllables and the amount of stress on each syllable. As it can be seen, these poems were constructed to be sung and not just recited. One might say lyrical poetry was the origin of the other forms of poetry including sonnet.

 

 

 

 

One of the famous Lay – Love – was written by William Wordsworth in 18th century in Cumbria, UK.Daffodils wordsworth

LOVE;
All Thoughts, all Passions, all Delights,
Whatever stirs this mortal Frame,
All are but Ministers of Love,
And feed his sacred flame.

Oft in my waking dreams do I
Live o’er again that happy hour,
When midway on the Mount I lay
Beside the Ruin’d Tower.

WordsworthWilliam Wordsworth

 

The Lays during medieval period were written describing the love and passion between a knight and his lady of high born, often ending in tragedy. The structure allowed for the poets to convey emotions of love and sadness with passion.

 

 

Man often finds himself torn apart by deceit and treachery. The emotions of despair and loneliness at times when one feels the world is against him and he is alone in a world full of people. It is a difficult emotion to describe and express at best of times, particularly when he feels that the whole world is against him.

It is a man’s world

There are people hundreds and more
Yet I feel all alone in this world
Surrounded by friends, family and more
And yet so alone in my mind

I walk for miles seeking a sight
Sight of solace and peace in this realm
But all I find is treachery, fear and deceit
Deceit of mind and body of realm

Sold at will by those I trusted
With all my soul and heart
Treachery of will and power crusted
Fear of unremitting pain and hurt

It is hard in the world to give
The given stabbed me in the nether
Take everything with nothing to give
And destroy my life, love and my creature

They tell me it’s a man’s world
Who, may I ask is this man?
Who rules ruthlessly this world?
In form and fashion not a man

They tell me it’s a man’s world
Where one is right, good or bad
Where everything is sold
For a price anything can be had

I walk for miles seeking solace
I think for hours searching for peace
I can neither get peace nor solace
I walk for miles seeking solace.

Musings coverShankar Kashyap

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The Vedas and the God Particle

The Vedas and the God Particle

Where do we come from and where are we headed? Is there a God or a something super human, which is controlling our destiny? How did it all begin and how is it going to end? These are some of the questions that has plagued man ever since he developed consciousness and rational thought, all those thousands of years ago. Philosophers and thinkers have delved into this question and came out with numerous interpretations, some more obtuse than the other. For a commoner like me, the question of existence or origins or demise of man is not really easy to understand let alone question.

Listening to a learned priest explain to me the reasoning behind dispersal of ashes and the rituals got me interested in some of these questions. The five ‘Mahabhutas’, he explained, form the material body while living and merge into the cosmos or the Bramhan on our death. The five elements – earth, wind, fire, water and akasha or aether merge with the cosmos to keep the balance of nature. The idea of cremation, he said, is to Mahabhutasallow the five energies of our body to merge into the cosmic energy. The ritual following that is to help the onward journey of the soul towards Bramhan. For a scientist who seeks tangible evidence for everything, this was difficult to absorb. He said I could find the evidence in the Vedas.

Initial research brought me across that iconic sage/philosopher, Swami Vivekananda. He explains the same in little bit further in his book – “It is (Akasha) is omnipresent, all penetrating existence. Everything that has form, everything that is the result of combination, is evolved out of this akasha. It is this akasha that becomes the air, that becomes the liquids that becomes the solids.” This will take some digesting, I thought.

Reading the Vedas and understanding them are two entirely different concepts. It is written or composed in an archaic Sanskrit, not too dissimilar to the Avestan of ancient Persians. Expert Sanskrit scholars struggle with the writing and in the past many western scholars have discarded the writings in these scriptures as ‘garbled messages of a deranged mind’ and “writings of a mind muddled by the esoteric Soma”, which they considered probably an extract from Muscaria Amanita, a psychogenic mushroom. Experts also tell me that the Vedas have all the knowledge we need and can answer any of the questions. But I was disappointed to find out that more than 60% of Rigveda has not been properly deciphered or understood. VijayanagaraSayana was probably the first one to write a treatise on Rigveda during 14th century in the court of Vijayanagara Empire of Bukka. It has been used as basis of many works by noted researchers like Max Muller and Ralph Griffiths. Since then there have been numerous attempts at deciphering these vast treatise – probably the largest scripture in the world.
While researching into modern interpretation of the Rigveda, I came across many eminent physicists who were interested in the ancient scriptures. There are too many to list here. That made me curious enough to investigate what the modern scientists say about the origin of the universe and maybe its eventual outcome or end result. This started my foray into quantum physics, and I must admit that I was lost in no time. Where did we come from? We have all heard about the Big Bang theory – no not the comedy programme! According to this theory the universe came into being with an almighty bang about 13.6 billion years ago when a tiny particle blew up and spread the pieces out at unbelievable speeds into a quantum vacuum. The assumption here is that there was nothing before the Big Bang and it was darkness.

Einstein studied the Vedas and felt there was an answer to his problems with theory of relativity and his idea of cosmological constant. Newtonian laws of physics had been at the helm till Einstein described the theory of relativity in the early twentieth century. But, the discovery of quantum mechanics turned the Atomworld of physics upside down.
Democritus said that the universe is made up of tiny indivisible blocks of matter called the “atom” in 5th century BCE. Ernest Rutherford from, Manchester split the atom and found the Proton in 1907. Then came the discovery of two other – electrons and neutrons and for a long time it was thought that they were the “basic particles” from which everything in this universe was made of. Electrons, protons etc were not the basic particles. Out comes the “quanta,” that minute particle the entire universe is made of. The term “quanta” was coined by Max Planck in 1841 long before the atom was split. The quantum physics changed the laws of physics at the sub-atomic level with “fields”, “waves” and “particles or quarks.” These defied all the known theories of Newtonian physics and confounded scientists. Even the cosmological constant of Einstein which was used to explain why the galaxies were racing away from the centre, which was thrown in the bucket was resurrected.Heisenberg Werner Heisenberg who described his famous Uncertainty Principle in the 1920’s said “Quantum theory will not look ridiculous to people who have read Vedanta.”

Interesting fact about this quantum particle is that it has its own physical properties, one of which is that you can’t measure two dimensions of the particle at any given time. And it can travel at unbelievable speeds, faster than speed of light. Yes, you read it right. In fact, thousands of times faster than speed of light. This goes against the laws of Physics as we know it. These particles have that funny quality of “entanglement” which is difficult to comprehend for mortals like me. According to this, two quanta, once placed in a similar state are in touch with each otherQuantum no matter where they are – both space and time wise. It could be few seconds or million years and also few millimetres or several light years apart. This was demonstrated by a theoretical experiment devised by three scientists – Einstein, Podolsky and Rosen – called the EPR experiment in 1934. They showed that there is an “entanglement” of particles, which stays with them wherever they are. This stayed a theoretical experiment until technology improved enough to measure the characteristics of particles some 50 years later. In simple words two particles being measured do not have a specific state until they are measured. If there are two particles A and B in an “entangled state” even for a brief period, it did not matter how far they move away from each other they will be in a complementary state, whichever it may be. If particle’s state is being measured and particle A shows an upward spin, particle B will be in a downward spin, no matter how far away they are from each other. What does this mean for us? Again in simple words, everything in the universe “knows” everything else in the universe.
The space around our planets and stars or the quantum vacuum, so far thought to be empty, is not empty after all. It is filled with these quantum particles and several fields – gravitational field, universal force field, Zero point field, Higgs field etc. They tell me that the fiery cloud that racedquantum space out of this tiny particle at the Big Bang 13.6 billion years ago broke up into matter and antimatter. This is where the problem starts. In theory this should produce equal amounts of matter and antimatter. But. if there was equal amount, there would be nothing as they would cancel out each other. But there is significantly more mater than antimatter in the universe. This is further complicated by the Dark matter and Dark energy.Big bang theory The amount of gravitational field that has been detected far outweighs the amount of matter (the only thing that can produce gravity) that is present in the universe. Even counting for adding “Dark matter” into the equation does not add up to the amount of gravitational force that is present. There must be something else that is producing this enormous amount of gravitational force in the universe. So far scientists have not been able to explain the cause for this.
The physicists tell me that the quantum particles, which were once thought to be packets of energy, are in the form of uni-dimensional strings vibrating like tuning forks – so called String theory. Now comes the interesting part – quantum vacuum is not really empty. It is filled with these quantum particles and energy fields. – a force clashes with the field to produce these particles and in turn the atoms, molecules, cells and organisms and so on. These particles are called Fermions and Bosons (named after the Indian physicist, Satyandranath Bose). Fermions are the Protons and Neutrons that we have read about in school, and both have a charge and a mass. They are usually groups into two types – Quarks and Leptons. The Bosons are Gauge and Higgs particles. They are essentially carriers of the four fundamental forces of Universe – Gravity, Electro-magnetic force, Strong and Weak forces. Gauge bosons are the carriers of these forces. Until 2012, Higgs boson was only a theoretical prediction. Peter Higgs predicted that it is this boson, which gives elementary particles their mass and would explain how mass came into being after the Big Bang.

Let us spend a minute or two on this Higgs boson, also called Higgs particle. This is the carrier particle, or boson, of the Higgs field, a field that permeates space and endows all elementary subatomic particles with mass through its interactions with them. The field and the particle—named after Peter Higgs of the University of Edinburgh, one of the physicists who in 1964 first proposed the mechanism—provided a testable hypothesis for the origin of mass in elementary particles. In popular culturHiggse the Higgs boson is often called the “God particle,” after the title of Nobel physicist Leon Lederman’s The God Particle: If the Universe Is the Answer, What Is the Question? Lederman claims that the discovery of Higgs boson is crucial to understanding the structure of matter of essential particles and hence the origin of Universe itself. Lederman regretted calling it the God particle due to its connotations but was forced to use it by his editor. His name for the book was actually “Goddamn particle”!
The Higgs field has the unusual property that its energy is higher when the field is zero than when it is nonzero. The elementary particles therefore acquired their masses through interactions with a nonzero Higgs field only when the universe cooled and became less energetic in the aftermath of the big bang(the hypothetical primal explosion in which the universe originated). The variety of masses characterizing the elementary subatomic particles arises because different particles have different strengths of interaction with the Higgs field.

Just when I thought I had the basic understanding of Quantum Physics, I come across the Quantum field theory. This states that everything in the form of “waves” and escribed using “wave functions”. In effect everything in the universe is in the form of continuous sheets and that is why the “particles” know every other “particle. They tell me that the so called “particles” are in effect upward or downward effects on the field by the force. This is when I gave up and stopped looking further.

This conveniently brings us to the Hindu understanding of the Bramhan or the universal truth. If we accept that principle of Big Bang Theory that everything in this universe was generated in an instant from a singularity and that everything in the universe is “linked” to everything else in the universe, it is not far removed from the Vedic principle of Bramhan or the universal being from which everything in the universe was created and everything will merge into Bramhan. Now, to make it more interesting, if you accept that the eventually, in a few billion years’ time, the universe is going to collapse on itself into singularity due to the gravitational pull, it is not far removed from the concept of us merging into the Bramhan as the ultimate reality.
Let us now look at these Vedic texts in a little more detail to see if they are really “garbled messages” of a drug muddled mind.” Of the ten books or “Mandalas”, 1st and 10th are the youngest. I was pointed two Suktas (Hymns) – Nasadiya Sukta and Purusha Sukta. Nasadiya Sukta Nasadiyais part of the 10th book, begins with “There was neither non-existence nor existence then.” This is no different to the principle of the Big Bang theory, there was nothing before and everything started from a singularity. Let us get to that a later.
‘Darkness there was at first, by darkness hidden’ Again, the quantum physics tells us that the light came on after the Big Bang where there was no light before. This happened after the photons were formed and released with an unimaginable force.
‘That which, becoming, by the voice was covered; That one by force of heat came into being.’ The quantum physics (for a layman), says that the interaction of fundamental forces on the fields within the quantum vacuum generated particles with mass (quarks)which then go on to produce Electron, Protons, elements, molecules and eventually complex structures including living beings.
‘Gods came afterwards, with the creation of this universe’ – I cannot see this being any different to the first few moments after the Big Bang when the stars, galaxies and planets formation.
Purusha sukta is also from the 10th book of Rigveda. This is still used regularly by priests across India during their daily rituals. The Purusha is defined in verses 2 to 5 of the Sukta. He is described as a being who pervadePurushas everything conscious and unconscious universally. Creation is described to have started with the origination of Virat, or the cosmic body from the Purusha. I presume this must be the same as Bramhan. In Virat, omnipresent intelligence manifests itself as a “man”. In the verses following, it is explained how the rest of the universe, sun, moon, sky, seas, animals and plants were created by “sacrifice of the Purusha”. Through this creation, underlying unity of human, cosmic and divine realities is explained, for all are seen arising out of the one and only Purusha.
Vivekananda goes on to explain – “At the beginning of creation there is only akasha. At the end of the cycle the solid, the liquids, and the gases all melt into the akasha again, and the next creation similarly proceeds out of this akasha.….” Now this brings us to interesting concept of Multiverse and cyclical universe as proposed by nuclear physicists. According to this theory, the universe began in a quantum vacuum in an incredible explosion – the Big Bang Theory – and will eventually collapse into nothingness in quantum vacuum. Only to begin another cycle, with a Big Bang. They conceptualise one or more universes forming out of this explosion, some with the physical laws similar to our universe and some with completely different set of laws. They go on to hypothesise that the new universe is born with the “information” from the previous universe, similar to our genetic inheritance.

Nikola Tesla wrote in his unpublished paper, “Man’s greatest achievement” – said, the space is filled with an “original medium”, comparing it to akasha. He goes on to state that this original medium, a kind of force field, becomes matter when acted upon by cosmic energy or Prana.  He was a forward thinker with immense amount of knowledge and his theories are being proven to be true almost everyday now.  I can now say that the Vedic seers and sages knew far more than what we know now and there is a lot to be learnt from them.  The were probably 5000 years before us in physical time but were thousands of years ahead of us in knowledge.  Higgs Boson may not be the “God Particle” which induces matter in this universe, but definitely is pointing us in the right directions towards an answer.

God particle

Atoms, molecules, cells, tissues and organs, man is made of
Material we see and feel, think we know what we are made of
No one knows where we come from or where we are headed
Less said about the soul the better, we know very little of

Sages tell me we are children of God, no questions asked
Philosophers say, we are what we are, nothing mattered
Space is vacuum, so we thought and were told nothing there
Scientists say everything is from quantum energy, matter turned

Truly a Socratic problem we face, unable to solve I swear
He paid for it with his life with Hemlock, a burden to bear
“I know that I know nothing” a paradox that Socrates said
Till the end he was a paradox himself, not really wrong, beware

We built our world around us, made our life and bread
Unaware of the true meaning of life and everything sacred
Built our souls, our ghouls and an unknown spectre of liturgy
Only to drown in the sea of incessant struggle for daily bread

Higgs Boson or God particle, Black matter and Black energy
Those energy particles are there and not there, a synergy
Invisible fields in the vacuum, cosmos in coherence, Big Bang
Brings us back to good old Socrates, quantum theory, his eulogy

Scriptures say dust-to-dust, ancient belief not very wrong
Beware of the soothsayer with his doomsday song
Alive today and forever, you, her, him, that and in everything
Cosmic matter from energy is constant, ever since the Big bang

We strive for wants and goals, often beyond everything
We came from nothing to be something and end in nothing
So, lose the anger, anguish, sorrow, jealousy and hatred
We came from nothing and to be sure, we are headed to nothing.

Shankar Kashyap

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